OOMPH! - New singer DER SCHULZ and new album announced! HURRICANE AND SOUTHSIDE FESTIVAL 2023 - Delight 140,000 fans ROME - First single “Yellow and Blue” from upcoming album “Gates of Europe”ĭORO - Announces new album “Conqueress - Forever Strong And Proud” and releases first single & video ULTRA SUNN - Multi-album deal with Artoffact records and brand-new single “Broken Monsters”ĬURRENT AFFAIRS - New single “Reactor”, debut album “Off the Tongue” and Tour Dates NEW MODEL ARMY - One of 2023’s most astonishing albums “Sinfonia” out September 15, 2023įILTER - New single “Obliteration” out on 14th July, new album “The Algorithm” out on 25th August on Golden Robot RecordsģTEETH - Announce new album “EndEx” out September 22nd via Century Media Records SIMPLE MINDS - New Album “New Golden Dream - Live From Paisley Abbey to be released 27th October 2023 OMD - Brand new studio album “Bauhaus Staircase” out, first track releasedĪMPHI FESTIVAL 2024 - First bands, visitor survey & early bird tickets already gone!
Live Review: Rock Imperium Festival - Cartagena 2023 (Day 1) Live Review: Castle Party - Bolkow 2023 (Days 1 and 2)ĬD Review: Current Affairs - Off The Tongue Live Review: Castle Party - Bolkow 2023 (Day 3) Live Review: Castle Party - Bolkow 2023 (Day 4) Live Review: Solar Fake - Königstein 2023ĬD Review: Warfield Within - Beast Inside Gallery: Rockharz Festival - Ballenstedt 2023 Interview: Black Nail Cabaret - July 2023 Live Review: Volle Kraft Voraus Festival - Neu-Ulm 2023 Live Review: Call the Ship to Port (Amphi Festival opening event) - Cologne 2023 Live Review: Amphi Festival - Cologne 2023 (Day 1) Live Review: Current Affairs - London 2023 Live Review: Amphi Festival - Cologne 2023 (Day 2) Live Review: Ship of Rebels - Cologne 2023 Live Review: M’era Luna Festival - Hildesheim 2023
Was gutted to miss this year’s London show.CD Review: Taskforce Toxicator - Laser SamuraiĬD Review: 3 Inches Of Blood - Long Live Heavy Metal (re-issue)ĬD Review: 3 Inches Of Blood - Here Waits Thy Doom (Re-mastered) The post-rock guitars and enthralling vocals of Hayes ensure the set was as epic as the ever-popular headliners, and I’ve remained a fan ever since. Dredg put on a brilliant show, effortlessly switching between erratic, experimental music and the more straightforward alt-rock that ‘Bug Eyes’ showcased. I grew to love this song and I ended up seeing them shortly after its release while I was on holiday in sunny Los Angeles, where they were supporting Coheed and Cambria (also on the bill were math metallers The Blood Brothers). The soaring, post-rock guitars and proggy bass parts of Dredg’s hard rock was different to the kind of formulaic, riff-based metal I had grown accustomed to, and Gavin Hayes’ melodic vocals had an almost choral quality to them. Like many fans, I think I first discovered Dredg via their minor hit ‘Bug Eyes’ from 2005 album Catch Without Arms. Squeezy featured production from Dan The Automator, one of my favourite leftfield producers. The Californian quartet make quasi-progressive, alternative metal and have released five studio albums to date the last one, 2011’s Chuckles and Mr. American alt-rockers Dredg have been going for over two decades and although mainstream recognition has evaded them, they remain darlings of the underground.
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